Thursday, September 19, 2013

Stonewalling transparency

There is a unanimous opposition from political parties to the CIC order that puts them under the ambit of the RTI Act. Parimal Peeyush has the details.

There was distinct unanimity on television screens after an order by the Central Information Commission (CIC) put six national parties under the ambit of the Right to Information (RTI) Act. Setting ideological and personal differences aside, the political class has united in their quest to prove why the act does not and should not apply to them and that the CIC had acted beyond its mandate.

On June 3, 2013, a full bench headed by Chief Information Commissioner Satyananda Mishra, held that the ‘‘INC, BJP, CPI(M), CPI, NCP and BSP have been substantially financed by the Central Government under section 2(h)(ii) of the RTI Act. The criticality of the role being played by these political parties in our democratic set up and the nature of duties performed by them also point towards their public character, bringing them in the ambit of section 2(h). The constitutional and legal provisions discussed herein above also point towards their character as public authorities... it is held that AICC/INC, BJP, CPI(M), CPI, NCP and BSP are public authorities under section 2(h) of the RTI Act.”

In October 2010, NGO Association for Democratic Reforms (ADR) and Subhash Chandra Aggarwal had filed RTIs seeking information regarding contributions received by the various political parties. In response, except the CPI, all other parties refused to disclose information stating that they don’t fall under the purview of the RTI Act. Subsequently, a complaint was filed with the CIC in March 2011 requesting that political parties be declared as public authorities.

Since then, political parties have launched an all out attack on the CIC for going beyond its mandate and explaining how and why they just could not be held accountable. And the consensus was breathtaking. Said Congress’s Janardan Dwivedi,‘‘It is not acceptable. Such an adventurist approach will damage democratic institutions’’.  Sharad Yadav, Janata Dal (United) believed that the ‘‘CIC has acted outside its jurisdiction. The government should step in.’’ Congress’s archrival, BJP’s Nirmala Seetharaman, concurred. ‘‘Political parties are already giving information to the Election Commission (EC) and the Income Tax (IT) department. How many authorities are we going to respond to?’’ The CPM could not agree more with the BJP. Says CPM’s Nilotpal Basu, ‘‘this order opens doors to interference in the internal functioning of political parties. There also needs to be clarity on whether political parties are public bodies in the sense as laid down by the Constitution.’’

Political parties are wary when it comes to transparency in their own functioning. Their major contention: we cannot be defined as pubic authorities since we have not been established or constituted by and under the Constitution, nor by any other law made by Parliament or the State Legislature, nor are these bodies owned or controlled by any appropriate government.

The CIC agrees but declares them as public authority due to the substantial funding they receive from the government in the form of land, accommodation, free air time on state-run Doordarshan and All India Radio, electoral rolls, income tax exemptions and other services availed at highly subsidised rates.

Other major points that parties have raised include ambiguity on being answerable to multiple authorities and that the information, particularly related to funding of political parties, is already being furnished to the IT department and the EC. But critics are unimpressed. “They do not know the ABC of the RTI Act. There is a misconception that they will now be answerable to two authorities - the EC and the CIC. RTI Act does not say that public authorities are accountable to the CIC. It says that they are accountable to the public. The role of the CIC comes much later,’’ RTI activist and petitioner in this case Subhash Chandra told TSI.

Another concern is interference in internal party affairs. However, activists point out that there are provisions under Section 8 of the RTI Act that enables them to withhold information. “It is the fear of the unknown that is making political parties so wary,’’ says founder member of ADR Jagdeep Chhokar.  He adds,‘‘When the RTI Act was being implemented, there was stiff opposition from the bureaucracy. Later, a survey revealed that over 60 per cent of RTI petitions filed came from government servants. In the present context too, it is the political leaders who are scared of RTI, not the rank and file,’’ he adds.

Parties are apprehensive on the issue of funding, most of which comes in the form of donations. Under the Representation of People Act, 1951, parties are required to submit contribution details received in excess of Rs 20,000 from any person or a company. Politicians however do not include in it multiple donations made by the same person, entity or company aggregating Rs 20,000 or above during the year. Political parties have also adopted the coupon system for collecting funds by issuing of coupons in lieu of receipts to donors for cash contributions. Since these are cash donations, it becomes all the more difficult to establish the identity of the donor. This implies that a lot of cash donations received remain unaccounted for in the books of accounts as only those amounts would be recorded for which a receipt has been issued.

Data obtained through RTI makes a strong case for transparency. Income of political parties from 2004-05 to 2010-11 shows steady growth. The total income of INC went from Rs 222 crore in 2004-05 to Rs 307.08 crore in 2010-11. This was followed by the BJP whose income rose from Rs 104 crores in 2004-05 to Rs 168 crores in 2010-11 and the Bahujan Samaj Party (BSP) which registered a growth from Rs 4.2 crores in 2004-05 to Rs 115.7 crores in 2010-11.

When it comes to the share of donations received in excess of Rs 20,000 in total income, BSP has declared that the party has not received any donations above Rs 20,000 though its total income from the party's ITR has been declared at Rs 17267.84 lakh; of the national parties, 57.02 per cent of total income for CPI has been received through donations above Rs 20,000 while BJP’s donations above Rs 20,000 amount to 22.76 per cent of the total income. Of the regional parties, RJD (56.13 percent) and TDP (37 percent) derive maximum income from donations above Rs 20,000.


Source : IIPM Editorial, 2013.
An Initiative of IIPM, Malay Chaudhuri
For More IIPM Info, Visit below mentioned IIPM articles
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Monday, September 9, 2013

Movie Review: The Great Gatsby

The best Gatsby...

F. Scott Fitzgerald's magnum opus, The Great Gatsby, has historically proven to be a tough beast to tame for the big screen. There have been four attempts previously and none of them were good. Try staying awake through the one made in 1974 , for example.

This time, Baz Luhrmann steps in along with an all star cast, takes a good shot at it and succeeds. Why does he succeed? Just by looking at the scenes, or his earlier work, you would understand that Luhrmann’s greatest strength is his style and flair with which he directs. And The Great Gatsby, desperately needed that to make it a success.

Talking about the plot, the film shows America in all its early 1900’s glory. The new rich made the country a place where everything was larger than life - the great American dream was beginning, and in such a setting the mega star cast was really well chosen.

Leonardo DiCaprio and his real life friend Tobey Maguire play the characters of Gatsby and Nick Carraway respectively, in a manner only they can. DiCaprio’s performance makes this the best Gatsby so far, delicately balanced by Maguire’s charmingly delicate performance. Speaking about charmingly delicate, Amitabh Bachchan, even in his small cameo, makes a hearty mark as Meyer Wolfsheim.

Overall, the film carries with it all the style of its director and cast. However, what made the story so popular and loved, was not the dazzle but its heart. That is where this film falls short and becomes just a feast for the eyes, not so much for the heart


Source : IIPM Editorial, 2013.
An Initiative of IIPM, Malay Chaudhuri
For More IIPM Info, Visit below mentioned IIPM articles
IIPM’s Management Consulting Arm-Planman Consulting
Professor Arindam Chaudhuri – A Man For The Society….
IIPM: Indian Institute of Planning and Management
IIPM makes business education truly global
Management Guru Arindam Chaudhuri
Rajita Chaudhuri-The New Age Woman

ExecutiveMBA

Saturday, September 7, 2013

The Miracle that Matters

Imagine.. A ledge, high, very high, more than three miles high above the waters of the nearest sea... High above the clouds, where shards of ice fly like witches on brooms in winds that howl like banshees and where snowy glaciers still carve out morraines like they have since time began...   Looking down on all of creation, from the roof of the world sits that ledge...

And on that frozen ledge sits a man.. the high winds and the sun have carved their own story on his craggy features. He sits with his eyes closed and his long dark hair piled into an untidy mop on his head. Now imagine that on in those frigid and giddy heights, he sits naked in the snow, wrapped in a coarse blanket. But that blanket does not keep him warm for it has been dunked in the icy waters of nearby river. To wrap that blanket around one’s body is to feel the cold congeal into a blade that seems to saw through bone... through every bone. But if you are there already and can see him there on that cliff then you must also see the steam rising from the blanket that covers the man’s body... You stare in amazement as the steam rises like mist from a river. You wonder what fire burns in this man’s core that can dry a blanket like it was wrapped around not flesh and blood but an industrial oven.

Most of us would have died of hypothermia while the frost bit through our extremities. But here this man sat on his seat on the crag, calm and serene while ice turned to smoke all around him. Is that a miracle, you ask. And answer is it is not, for there are many monks that wander in the frigid wastes of the Himalayas, both in India and in Tibet,  who are adepts at the art of raising a fiery storm through their yogic powers that would keep them warm on  the coldest nights. This drying of a wet cold blanket is almost a rite of passage for yogis and monks across many  orders. The Tibetans call it ‘tumo breathing’ and some Western explorers have learnt this art too.

It is said that Alexandra David-Neel, one of the first Western women to travel to Tibet in the early 1900s, learnt this ancient technique of generating internal heat from the monks.  During her 12 years in Tibet, Alexandra found many opportunities to be grateful to those from whom she had learnt this art for without it, she too might have perished in cold vastness of Tibet’s passes where many explorers, unable to meet the harsh demands of this beautiful yet unforgiving landscape, have given up and left to meet their maker. Alexandra David-Neel’s accounts of her journeys to the roof of the world are replete with accounts of yogic masters performing miracles every day. I came across these accounts while digging up stories to validate the claims made by the subject from last week’s column – The five Tibetan rites of rejuvenation.

Another miraculous feat that these monks from the mountains seem to have mastered is the art of ‘lum-gom’ trance walking. Trance walkers have trained their bodies to cover long distances in effortless leaps. Explorers to the Tibetan plateau, even Western scientific research teams have claimed that they have seen these yogis bounding across the rugged mountains in long leaps in a manner that seemed to suggest that they were floating through the air. Both ‘tumo’ and ‘lum gom’ are techniques that are taught in monasteries on the high passes. They involve special breathing and visualization techniques. And unlike stories of masters from other cultures, these miracles aren’t restricted to a few individuals and are relatively common across different sects.

Perhaps the most popular legends that have floated out of these secretive mountains that kept Tibet secluded from the rest of the world have been tales of amazing longevity. At a 100, it is said these masters have merely entered their youth. Early explorers to Tibet have claimed that they have met masters who been around for more than 200 years. Unfortunately, there aren’t very many gerontologists who have studied these yogis but if you were to look to go to places like Dharamshala and meet the oldest lamas who have made India their home, you will see 80 year olds walking up the steep mountain trails with the kind of vigour that would do men half their age proud. They may not live well beyond the ‘usual 100s’ but these Tibetan yogis definitely live their years well. I don’t know if it’s the mountain air, their Spartan lifestyle or their yogic practices that give them this youthful constitution, but whatever it is, it really works.

But these are miracles I have only read about or heard. Except for the rather fit octogenarian lamas I came across in Dharamshala and Mcleodganj, there isn’t much I can personally vouch for. But there is one miracle that this Tibetan meditative life path has given ample evidence of to all who chose to ask and it is this…

When the Chinese army invaded Tibet in 1949, it did what invading armies do. Resistance was crushed. Defenseless monks were  tortured and killed and a cultural and religious purge was followed by attempts at Hanification of Tibet. More than a million people lost their lives, perhaps brutally. Every Tibetan home would have lost a loved one or more. Tibet should be a country seething with anger.

And yet, every Tibetan I have met in my travels has spoken of the Chinese invaders with a degree of compassion. Some have said that they hold no ill feelings towards the Chinese even though they suffered at the hands of the invaders. Some lost loved ones, others lost homes and livelihoods. And yet they feel that they had earned this suffering through their actions in another life. The Chinese were mere puppets in the hands of their own karmic fruits.  In a film about the yogis of Tibet, I saw a young monk admit that he felt a degree of  anger and resentment towards the Chinese. His family had suffered unspeakable atrocities and had seen libraries and monasteries destroyed. But then, the monk added that (unlike his elders) he perhaps felt this anger because he hadn’t progressed enough in his practice.

In an interview in the same film, Tenzin Gyatso, the 14th Dalai Lama, recounts this story about a monk who had been jailed and tortured by the Chinese. After his release, the monk escaped into India where he met His Holiness. One day, the Dalai Lama asked him about his time in prison and the monk replied that there were times when he felt that ‘he was indeed in danger…’. And when His Holiness asked about the nature of this danger’, the monk replied that at times while he was being tortured, he was indeed in danger of losing compassion for the Chinese

I had met the Dalai Lama for an interview about two years ago. And the words that I still remember from that day were in response to a question about what should one’s response be to an oppressor, be it a nation or an individual like let’s say, an Osama or a Hitler? The Dalai Lama had just smiled and said we should remember that it is the oppressor who needs compassion far more than the oppressed because while the latter has already endured a karmic cycle, the former has only begun to sow the seeds of his sins.

And this approach of treating one’s enemy like a teacher and forgiving him or her all his sins is perhaps the greatest miracle that has emerged from those passes in the mountains. Heat that vaporizes ice, leaping across miles or living a very long life might all be miracles worth chasing.


Source : IIPM Editorial, 2013.
An Initiative of IIPM, Malay Chaudhuri
For More IIPM Info, Visit below mentioned IIPM articles
IIPM’s Management Consulting Arm-Planman Consulting
Professor Arindam Chaudhuri – A Man For The Society….
IIPM: Indian Institute of Planning and Management
IIPM makes business education truly global
Management Guru Arindam Chaudhuri
Rajita Chaudhuri-The New Age Woman

ExecutiveMBA

Monday, July 29, 2013

The Mamata factor

Powerful state units of the Bengal and Kerala CPM are preparing for a showdown

While Trinamool Congress might have unleashed a reign of terror in Bengal against CPM leaders, the April 9 Delhi incident where CPM cadres decided to heckle and insult chief minister Mamata Banerjee and her Finance Minister Amit Mitra, has brought the Left party’s influential West Bengal and Kerala units on a collision course.

Following the Delhi attack, Trinamool has already launched a violent retaliatory campaign but more than anything else, it was the action of CPM’s Delhi unit that has further vitiated relations between the central leadership, read general secretary Prakash Karat, and the West Bengal unit. Tempers are running so high that the state CPM has accused Karat with ignoring the state unit before embarking on adventurism of this kind.

Veteran Leftist leader Ashok Ghosh, secretary of the Forward Block, openly sought a clarification from the state CPM leadership, particularly from CPM secretary Biman Bose, asking ``how long should we suffer for the blunders committed by your party?” Leader of another Left constituent RSP’s Khitij Goswami, too toed the same line and questioned the rationale of the Delhi action at a time when the Left was facing the Trinamool onslaught as well as trying to consolidate its position which was drastically eroded in the assembly and Lok Sabha elections.

The CPI(M) had traditionally thrown its weight around at its smaller partners and even the `historic’ defeat has not helped change this equation. While Left constituents are angry with big brother, within the CPM, leaders have questioned this so-called party programme of the Delhi unit directly under the control of Karat. The incident has revived the old battle lines between general secretary Prakash Karat and Buddhadeb Bhattacharyya, who is unhappy at Delhi’s unilateralism.  Bhattacharya’s anger is justified. For the first time since Mamata came to power, CPM had an opportunity to push the government into a corner and was brimming with the possibility of revival.

The Delhi episode has put paid to their plans. Biman Bose, sources say, had informed Karat of their displeasure. According to reports, people protesting in front of Planning Commission were all members of CPM’s local committee in West Delhi and not its affiliate Students Federation of India (SFI). The Delhi action was carried out by party full timers

Apparently to deflect peoples’ attention and to gain the confidence of state leaders, Karat wrote to President Pranab Mukherjee urging him to decide whether West Bengal Governor M K Narayanan’s ‘political intervention’ in seeking an apology from the party Politbureau for the Delhi incident was justified. To the utter dismay of Karat, this action has failed to mollify the state leadership with even front partners viewing it as a gimmick, a ploy to hide his own failures.

These leaders privately admit that Narayanan was right. After all the Chief Minister and Finance Minister were attacked. They do not feel it was highly improper for the governor of a state, who holds a constitutional post, to declare that a political party or its leaders have ‘forfeited their right to function within a democratic framework’. These leaders feel that Karat should have had the moral guts to confess his wrong instead of blaming the governor. The governor said that CPM was entitled to voice complaints, but could not resort to using rods against ministers. He even suggested that this ``premeditated” attack was “serious enough to warrant a public apology from the CPM Politbureau.’’

The anti-Mamata demonstration was planned to protest against the attitude of the West Bengal government towards the custodial death of SFI leader Sudipta Gupta in Kolkata.

West Bengal CPM leaders and Karat have been at logger heads for quite some time and state leaders blame the general secretary for this miserable state of affairs in its once strong hold West Bengal. They say Karat forced his dictates against the will of the state unit and eventually the party had to suffer huge electoral losses.

While CPM leaders do not intend to intensify their agitation against the Trinamool government for the moment as it would send a wrong message to the people, Karat and his associates want the state to embark on a militant form of agitation. Even secretary of Delhi CPM, Puspendra Grewal, a Karat protegee has come out justifying the action.


Source : IIPM Editorial, 2013.
An Initiative of IIPM, Malay Chaudhuri
For More IIPM Info, Visit below mentioned IIPM articles

Thursday, June 6, 2013

Rising above revulsion

Sanjeev Sinha, one of the earliest breakout painters of Bihar’s 1980s generation, seeks reconciliation and harmony amid the disruptive and disturbing contrasts in contemporary reality by K.S. Narayanan, Photos by mukunda de
Life is not a dream. Careful! Careful! Careful! ……another day we will watch the preserved butterflies rise from the dead

As haunting as these immortal lines of 20th century Spanish poet and dramatist Federico Garcia Lorca, Sanjeev Sinha’s 23 new artworks titled Am I?, showcased in the Visual Art Gallery of India Habitat Centre in the national Capital early this month, provided a strong jolt. The opening saw a host of esteemed guests, including Raj Liberhan, Director, India Habitat Centre; art curator Alka Pande: Rajeev Lochan, Director, National Gallery of Modern Art; Kapil Chopra, President, Trident Hotels; Anurag Sharma, Director, United Art Fair, and the who’s who of the Capital’s  glitterati and chatterati.   
                
Am I? – the question in the title of the show suggests the turbulence and the array of thoughts struggling to find expression within the artist who seems to be on an endless search on the issue of existence.

One of Sinha’s paintings showed several speared teddy bears. They shake us out of complacency and compel us to instead act and take charge before there is nothing left. The innocent eyes of the bears tug at the heartstrings and urge one to reflect on matters of the contemporary world. By portraying such a picture by use of toys that symbolise innocence, the artist at the same time points out how society has remained a mute spectator to the murder of innocence and innocents.

Juxtaposing a fairy world akin to ‘Alice in Wonderland’ along with a world steeped in faith, Sinha places the innocence of a Barbie doll alongside the ferocity of Goddess Kali.

Another work carrying a pious Buddha is surrounded by various emotions like passion, romanticism and appreciation of natural beauty, implying the intrusion of different objects while you are in such a mystic position. In the work titled Gentle Bite, he has portrayed a Barbie doll inside a turtle surrounded by the butterflies. This seems to signify the artist’s craving for the pleasant and happy world of eternity.

The turtle, Sanjeev explains, is believed to be auspicious in mythology and one of the longest living creatures in the world. In the work titled Gentle Bite XV, he has made a cobweb and behind that there is a huge spider that has created the whole system signifying the world.

Says Shaji Mathew of Studios and Galleries who is engaged in promoting residencies for budding artists: “There is lot of violence. Too much of a contrast too and difficult to digest as well. Probably it is looking at present-day violence while peace loving variety of art work is far less.”

This is because besides treating his subjects with techniques of realism, Sinha uses stark colours, primarily black and red, to evoke an intense feeling of passion and radical approach towards this worldly issues.

Also seemingly banal devices like the use of a burning matchstick in several paintings make the artist relate to real situations.


According to Sinha, wood acts both as a saviour and a means that takes the stranded person to the safety’s shore, and also the carrier of fire that could destroy everything.

Though this was the popular feeling of those who viewed the exhibition, there were others and experts who had read both the artist and his art well.

Take for instance Vikash Nand Kumar, art historian and curator who curated Sinha’s work. He observed that at the very first instance the Am I? exhibition may sound radical and gloomy and shrink us with a feeling that it is not very pleasant or soothing. “But as the viewers go through the body of work and fathom its depth they would understand its gist. We must realise these works are in proximity to the reality of our contemporary lives and then might sense the cathartic pleasure of watching these works.”

No doubt these works carry the blend of thoughts that he wants to put on canvas using objects symbolizing philosophical implication, political mystification and spiritual assimilation.

Bihar-born Sinha is a globe- trotter has imbibed various cultures, traditions and art practices that have led him into a gamut of experiences. He has exhibited in galleries and museums in India, the Netherlands, France, England and Japan in group and solo shows.

Calligraphy, Korean clouds, Tibetan flags, Buddha’s head, the world of flora and fauna, mythology, et al, find a place in his compositions. They are the tools with which he expresses himself. Watching everything around him as an observer, his works give a peep through the lens that generally remains black in the foreground, thus being in direct interaction with his works and creating layers of depth on his canvas.

Some figures are of powerful women like Kali. Of a naked Kali and a Barbie in a bathtub. One is black. One, white. One is wild. One is innocent. But even in the wild one there is innocence.

What does Sinha hope for as an artist? “I hope people understand that my paintings are not decorative but symbolic. I’ve incorporated elements from arenas like politics and capitalism and the misuse of religion. But you have to look closely at them.”

At a time when art lovers look at Santiniketan, Kolkata, Mumbai and Vadodara as the centres of excellence, Sinha is the unspoken leader of the young Bihar art generation that emerged in the 1980s. He was the first artist from Bihar of his generation to have won the prestigious Lalit Kala Akademi award and create a niche for himself in Europe’s art centre. Since then, Sanjeev has bagged several national and global fellowships and honours.

Having closely watched Sinha’s artistic journey over the years, poet and art critic Vinod Bharadwaj says the exhibition depicted the creative pangs of that terrible phase when one has to look for the right names for objects in the wake of the violent gang rape of Nirbhaya or Damini in the glow of meaningful peace.

Recalling the words of German dramatist Bretolt Brecht, In the earthquakes to come, I very much hope – Bharadwaj says: “In Sanjeev’s artistic journey there is always the ray of hope amid violence, anarchy and assaults”.

Commenting on the artist and his art, Seema Bhalla, another art historian, observed: “Through his work Sanjeev Sinha seems to be asking himself, what is he? Is he a mere spectator or a participant? Or is he optimistic or pessimistic? He keeps pondering on many sensitive questions and asking himself “Am I…?” It is difficult to remain unaffected after watching his works as they force one to think”.


Source : IIPM Editorial, 2013.
An Initiative of IIPM, Malay Chaudhuri
For More IIPM Info, Visit below mentioned IIPM articles
IIPM’s Management Consulting Arm-Planman Consulting
Professor Arindam Chaudhuri – A Man For The Society….
IIPM: Indian Institute of Planning and Management
IIPM makes business education truly global
Management Guru Arindam Chaudhuri
Rajita Chaudhuri-The New Age Woman

ExecutiveMBA

Tuesday, June 4, 2013

Movie Review: Django Unchained

Is that a nigger on a horse?

Welcome to Tarantino’s history lesson number 2. In our last outing, Inglourious Basterds, we learnt that Hitler didn’t commit suicide but was assassinated by French revolutionaries.

Now we get to know that in the antebellum era, a time when black slavery was at its heights, a black slave called Django, gets to ride a horse, eat white cake and shoot white people.

Tarantino makes you fall in love with cinema once again. He truly shows what this art form is capable of. Django Unchained tells the story of a freed slave who treks across the United States with a bounty hunter on a mission to rescue his wife from a cruel plantation owner.

Jamie Foxx plays Django; a role which has to be played with just the right amount of hesitation and steadily growing confidence as Django’s mentality slowly evolves from that of a slave to a man who bows to no one.

 Dr. King Schultz, the bounty hunter who frees Django, played by the amazing Christoph Waltz is the star of the film. Having played an impossible role earlier in Basterds, Waltz returns to sizzle the screen with an impeccable performance as the bounty hunter who trains Django to live his life as a free man.

Leonardo DiCaprio appears as Calvin Candie, the plantation owner with a hell lot of charisma but with a deviant streak of cruelty. Having been warned by his house slave Stephen (Samuel L. Jackson) of Django and Schultz’s plans, Candie is killed by Schultz before all hell breaks loose. Django is finally confronted with an epic western shootout, which he finally wins and takes his wife safely away.

The word “nigger” is sprayed around as if it was running out and Tarantino often crosses the line with bloody slave fights and gruesome revenges. But hey, it wouldn’t be a Tarantino film otherwise. Go watch it. It will be one of the best films you see in your lifetime…


Source : IIPM Editorial, 2013.
An Initiative of IIPM, Malay Chaudhuri
For More IIPM Info, Visit below mentioned IIPM articles
IIPM’s Management Consulting Arm-Planman Consulting
Professor Arindam Chaudhuri – A Man For The Society….
IIPM: Indian Institute of Planning and Management
IIPM makes business education truly global
Management Guru Arindam Chaudhuri
Rajita Chaudhuri-The New Age Woman

ExecutiveMBA

Sunday, June 2, 2013

Of Kingmakers and Emperors Without...

Nitish Kumar has been anointed as the new kingmaker by the media. he needs to be wary of hubris and the voter.
 

“He loves me, he loves me not, he loves me....".  There is many a Congress leader who could be playing this teen fantasy game while thinking about Nitish Kumar. Now that the DMK has done what it should have done about three years ago, Nitish Kumar becomes even more crucial. To borrow language from the ISI of Pakistan, Nitish Kumar and his party can provide "strategic depth" to the Congress when it faces an angry, frustrated and vengeful electorate in 2014 (if not earlier!). During his so called Adhikar rally organized in the capital, the Bihar Chief Minister gave enough hints that he, his vote bank and his allegiance could be up for grabs. So don't be surprised if the media keeps a relentless focus on Nitish Kumar and his future plans. In fact, his acolytes have stated a fantasy scenario that could called Nitish as Prime Minister. And why not, surely he has better credentials as a politician and administrator than Manmohan Singh, I.K. Gujral, H.D. Deve Gowda and V.P. Singh! If only a pesky upstart called Narendra Modi was not hovering on the horizon! But there is no mistake about this: Nitish Kumar is the favour of the season and the latest kingmaker of Indian politics.

But it might be instructive for the Bihar Chief Minister to read up on contemporary political history and learn some lessons. Kingmakers of Indian politics have a nasty habit of acquiring a common disease called hubris. And the Indian voter has a nasty habit of exposing kingmakers as emperors without clothes! Let's go back a bit to 1989 when V.P. Singh was riding the Bofors bandwagon towards power in Delhi. One of key charioteers of this bandwagon was the then Chief Minister of Andhra Pradesh N.T. Rama Rao who had acquired cult status as a film star, and who had humiliated the mighty Congress. He was the loudest and most vocal voice of an emerging anti Congress alliance across the country. And what happened then? V.P. Singh did manage to humble Rajiv Gandhi and the Congress to emerge as possibly the worst Prime Minister that India ever had (tough competition from Manmohan Singh!). But voters had something else in store for NTR. His party Telugu Desam was decimated and humiliated in the 1989 Lok Sabha and assembly elections. The kingmaker had lost his crown and throne.

In the tumultuous days of 1999 when a tea party enjoyed by Sonia Gandhi and J. Jayalalitha led to the collapse of the Vajpayee government which lost a no confidence motion by just one vote, Sharad Pawar emerged as the new kingmaker. Sensing an opportunity - something which he couldn't grab in 1991 when the Congress preferred a safe P.V. Narashima Rao to an ambitious Pawar - the Maratha strongman revolted against Sonia Gandhi and formed his own party called NCP. The calculations back then were quite clear. Kargil was yet to happen and not many expected the NDA led by Vajpayee to win a decisive victory. So there was every chance of a hopelessly hung parliament and who more qualified than Sharad Pawar to play kingmaker and dream of his own Kingdom? But the Indian voter had other ideas. Sharad Pawar was forced to eat humble pie and share power with the Congress in Maharashtra, failing to even have the NCP take the post of the Chief Minister. Vajpayee, of course, was voted back with a comfortable majority. Ever since, the halo around Sharad Pawar has been dimming consistently. Even his most loyal and die hard loyalist now knows that Pawar as Prime Minister is a fantasy.


Source : IIPM Editorial, 2013.
An Initiative of IIPM, Malay Chaudhuri
For More IIPM Info, Visit below mentioned IIPM articles
IIPM’s Management Consulting Arm-Planman Consulting
Professor Arindam Chaudhuri – A Man For The Society….
IIPM: Indian Institute of Planning and Management
IIPM makes business education truly global
Management Guru Arindam Chaudhuri
Rajita Chaudhuri-The New Age Woman

ExecutiveMBA